nprmusic

nprmusic:

ALI SHAHEED MUHAMMAD: Your cadence and flows — you move around, you go in between a rhythm, so that’s why I was curious about your approach in putting together songs. But, speaking of merging genres — cause that’s how I take it — how important is that as, you know, coming from representing Atlanta hip-hop, and putting a stamp on it but then moving beyond that label.

ANDRE 3000: I think — here’s my thing about representing a place: The best way to represent the places where you from is be yourself, completely. And just say, “I’m from this place.” It doesn’t mean I have to cater to that place, you know, cause my thing is taking the city on its back and going beyond. It’s not staying in — just in — the city sound. My thing is just pushing it as much as I can cause that’s how — that’s what gets me off. That’s what I do.

But when you listen to Atlanta music now, you listen to trap music — we didn’t necessarily come from that, but I love that kind of music. It’s funny people say outkast has this Atlanta, Southern sound. I honestly don’t think we ever had an Atlanta sound. I think our accents were from the South. People knew we were from the South. But I can’t say that we just had a Atlanta sound, you know what I mean? I think ours was just all over the place. It was kinda like a hodge-podge of whatever we were into.

OutKast’s Andre 3000 on Microphone Check 

Do you like music? Brass sections? Cool songs? History? If yes to any, please read!

You may have noticed something a little jazz-y on your radio this summer. A lot of the biggest hits have included horn sections, the kind that make you want to get up and dance (warning: not advised if you are driving). There are a ton of songs like this, from Ariana Grande’s Problem to Jason Derulo’s Talk Dirty to Me…”