ALI SHAHEED MUHAMMAD: Your cadence and flows — you move around, you go in between a rhythm, so that’s why I was curious about your approach in putting together songs. But, speaking of merging genres — cause that’s how I take it — how important is that as, you know, coming from representing Atlanta hip-hop, and putting a stamp on it but then moving beyond that label.
ANDRE 3000: I think — here’s my thing about representing a place: The best way to represent the places where you from is be yourself, completely. And just say, “I’m from this place.” It doesn’t mean I have to cater to that place, you know, cause my thing is taking the city on its back and going beyond. It’s not staying in — just in — the city sound. My thing is just pushing it as much as I can cause that’s how — that’s what gets me off. That’s what I do.
But when you listen to Atlanta music now, you listen to trap music — we didn’t necessarily come from that, but I love that kind of music. It’s funny people say outkast has this Atlanta, Southern sound. I honestly don’t think we ever had an Atlanta sound. I think our accents were from the South. People knew we were from the South. But I can’t say that we just had a Atlanta sound, you know what I mean? I think ours was just all over the place. It was kinda like a hodge-podge of whatever we were into.
OutKast’s Andre 3000 on Microphone Check